“Say hello to Wilson, the eponymous hero of Daniel Clowes’s latest novel-in-comics. However, these additional man-made details only add an interesting touch they are not absolutely necessary to give identity to the figure…” The headphone’s wires are formed by a dirt road, and the earpiece is formed by an oil well where the road ends. The profile was formed by the erosion of rainwater on layers of clay-rich soil. Because of additional man-made structures, it also appears to be wearing earphones. Viewed from the air, the feature bears a strong resemblance to a human head wearing a full First Nations headdress. Nevertheless, its humanoid details are stunning when one considers that human hands did not take part in shaping this large mass of rock. “Located in southeastern Alberta, Canada near Medicine Hat, this great geological wonder can only be seen from high above the ground. (1:40) Pak Man (intro)-Jonzun Crew (1983)Ī song about one man’s desire to exterminate all Pac Man machines with the help of a device invented to rewire the chromatic spectrum of the universe using 17 million colors, the Suboptic Shadow World, and Sun Ra. Fresh Market billboard, Greenville, S.C. “If we were any fresher you’d have to slap us.” (1:32) Change the Beat-Beside & Fab Five Freddy (1982) (1:16) The Unvoiced Hiss Energy Condition-Bell Labs (1936) referred to the vocoder as a retro-transformer, thirty years before a Decepticon showed up in a Trouble Funk song. All Bell Labs conditions here were acquired from the Werner Meyer-Eppler archives at the Institut Phonetik at Bonn, not Bell Labs. The Bell Labs referred to their vocoder tests as conditions. I was told this is an impression of Grover talking about the pyramids. Whatever maniac did this: Please return my PE hat. When I woke in the morning, I was wearing a G N’ R hat. Twenty years ago, I “fell asleep” on Figure 8 Island wearing a Public Enemy hat. How To Wreck A Nice Beach Vocoder Playlist Read More: “Fake Delacroix” could be by Sickert However, the sketchy portrait bears little resemblance to Considérant, and although in Delacroix’s style, it was later downgraded as not by the master…” In 1922 the painting was attributed to Eugène Delacroix (1798-1863) and the sitter was recorded as the French social reformer Victor Considérant (1808-93). Walter Sickert (1860-1942) donated the portrait to the Tate in November 1922 and in 1956 it was transferred to the National Gallery. Portrait of a Man is to go on show in “Close Examination: Fakes, Mistakes and Discoveries”, 30 June-12 September. Originally dated to 1830-50, it might have been created by Sickert in an audacious move to fool the curators. “A picture in London’s National Gallery, which was once attributed to Delacroix, could be a “fake” painted by Sickert. Read More: Through the Grapevine’ at the Center for Land Use Interpretation “Through the Grapevine: Streams of Transit in Southern California’s Great Pass” takes the standard format of image-and-text Conceptualism and turns it into a moving journey through the history of the roadways, aqueducts, pipelines and electrical lines that have been built through the Grapevine throughout the 20th century….” That’s exactly what the staff of the Center for Land Use Interpretation does in its readily accessible presentations: get visitors to see what exists in the world in ways that make everything about it more interesting. Even as ruins, they fulfill their original purposes, often in ways their makers never intended. Ghost roads take us to places that were designed, constructed and maintained with the sole purpose of being passed through - the more swiftly and safely the better. But they do something similar to their more marketable counterparts, and, in a sense, even better. “Ghost towns are fascinating places because they allow visitors to transport themselves, in their imaginations, to past times and places.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |